By approaching and touching the objects, they respond with magnified and designed electronic sounds. In each work a ceramic object is combined with another kind of material.
Three geometric objects out of aluminum: together they form a new instrument which shows how form changes its acoustic characteristics by using its individual resonance.
The second edition of Lisboa Soa: a multiple day event which presents
sound art installations and performances which discuss urbanism and auditory culture, this time at a beautiful botanic greenhouse in the centre of Lisbon.
Inviting one to experience how data generated through a person's reality and behavioural patterns can be revived from the digital world and returned to the real one by being transformed into generative music.
Although externally illogical, their anti-releases serve as a form of provocation that attempts to force interaction on the part of the listener by implementing tangible manifestations of abstract concepts.
A recording studio as a sculpture.. Artist Xavier Veilhan has transformed the 1912 French Pavilion into a giant sound sculpture for the Venice Biennale.
A fusion of sound and vision. Ricketts transforms a song or prayer into a bespoke statement art pieces in her fabric series, titled 'BeatWoven'.
The metal sound sculptures acknowledges how our limited temporal sensibilities are challenged by the imbrication of the geologic time of minerals, the historical time of extractive industries, and the immediate urgency of sane and equitable responses to rapid ecological change.